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https://w.atwiki.jp/touhoukashi/pages/3176.html
【登録タグ NIRVANA P ZYTOKINE cold kiss 山奥のエンカウンター 曲 色無き風は妖怪の山に】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/fujimo-dia/pages/127.html
リンク集 http //hp-html.jp/ http //www.sumnet.ne.jp/domp/hplink/ http //affiliate.aki-f.com/prog/link/ タグ http //heo.jp/tag/ 画像系 バナー http //www.bannerkoubou.com/ http //youbig.zero-city.com/otoku/banahp.htm テキスト http //ja.cooltext.com/ フラッシュ http //www.anvsoft.jp/photo-flash-maker-free.html 画像 http //jirox.net/AsButtonGen/ http //www.my-standard.co.jp/1240.html http //www.forest.impress.co.jp/lib/inet/homepage/logobutton/aquamaker.html http //labs.wanokoto.jp/olds http //decojiro.net/ http //bighugelabs.com/ http //tegaki-maker.com/ 素材 http //sozai-hp.com/ http //www.sozainomori.com/ http //www.image-life.com/ http //iconworld.aine.biz/ http //hp-sozai.net/ http //tegaki-maker.com/ フォント http //akibatec.net/freefont/ SEO http //googlewebmastercentral-ja.blogspot.com/2009/06/google.html http //oshiete.goo.ne.jp/plus/qa/9253/ http //www.google.com/support/webmasters/bin/answer.py?hl=jp answer=35256 http //kumacrow.blog111.fc2.com/blog-entry-631.html 検索エンジン登録 http //www.google.co.jp/addurl/ http //www.bing.com/webmaster/SubmitSitePage.aspx http //submit.search.yahoo.co.jp/add/request ウェブマスターツール http //www.alphaseo.jp/seo-column/080121_103304.html http //google-mania.net/for-webmaster/webmaster-tool http //googlewebmastercentral-ja.blogspot.com/search/label/%E3%82%A6%E3%82%A7%E3%83%96%E3%83%9E%E3%82%B9%E3%82%BF%E3%83%BC%E3%82%AC%E3%82%A4%E3%83%89%E3%83%A9%E3%82%A4%E3%83%B3 Jimdo http //jp.jimdo.com/ http //kumacrow.blog111.fc2.com/blog-category-48.html http //how-to.jimdo.com/ googleサイト http //google-mania.net/archives/1108 http //www.webword.jp/google-sites/index.html http //g.1o4.jp/ http //blog.browncat.org/2008/02/google_appsgoogle_sites.html http //g-tips.net/apps/ http //www.appsupport.jp/category/sites/ マイクロソフト http //www.microsoft.com/japan/office/officelive/sb/p_top.mspx http //allabout.co.jp/career/corporateit/closeup/CU20070107A/ 図表 http //netplus.nikkei.co.jp/netnavi/life/lif100120.html アドセンス http //gigazine.net/index.php?/news/comments/20060912_costs_per_click/ キーワード https //adwords.google.co.jp/select/KeywordToolExternal http //automedia.sakura.ne.jp/seo_keyword/ トップハテナー(関連も) http //tophatenar.com/ http //ascii.jp/elem/000/000/473/473837/ http //eatspot.jp/ http //native-checker.com/ http //www.keyman.or.jp/3w/prd/53/30002953/ http //apiblog.kakaku.com/2007/01/com_webmozilla_japan.html Alexa http //www.alexa.com/topsites/countries/JP ファビコン http //www.ideaxidea.com/archives/2008/02/faviconico.html http //www.degraeve.com/favicon/ テフなど http //maru.bonyari.jp/texclip/texclip.php http //oku.edu.mie-u.ac.jp/~okumura/texwiki/ http //www.hyuki.com/d/200912.html#i20091219090000 http //arataka.wordpress.com/2008/12/20/equations-in-web/ http //d.hatena.ne.jp/actuary_math/20080921 ドメインやレンタル鯖 http //muumuu-domain.com/ http //www.archive.org/web/web.php http //lolipop.jp/ http //www.xserver.ne.jp/ http //www.sakura.ad.jp/ http //g-tips.net/apps/ PHP http //aineko.com/function/ http //e0166.blog89.fc2.com/blog-entry-151.html http //www.shoshinsha.com/hp/tools/auto.htm http //affiliate.aki-f.com/prog/ javaスクリプト http //javascript.eweb-design.com/index.html http //www.archive.org/web/web.php http //html-time.com/ appsスクリプト http //codezine.jp/article/detail/5036?p=2 http //webiitoko.blog42.fc2.com/blog-entry-222.html HP売買 http //sitecatcher.net/ http //www.sitema.jp/ http //www.sitestock.jp/ http //www.site-trade.jp/ コンテンツ http //e0166.blog89.fc2.com/ Wordpress http //kachibito.net/wordpress/17-free-beautiful-design-themes.html
https://w.atwiki.jp/vocalive/pages/112.html
LIVEと行事一覧DB データベース (DataBase for Live Concert and Event) メニューMENU +←クリック目次 [Click here for CONTENTS] 自動作成目次(contents) 行事紹介(Live Concert and Event Information) 【INFO/Oversea/voting for 2012 London Olympics Next Concert EVENT】 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【INFO/Oversea/voting for 2012 London Olympics Next Concert EVENT】 【INFO/Oversea/voting for 2012 London Olympics Next Concert EVENT】 【登録タグ(tag) 】ここにぺーじ名をひらがなで記載 INFO/Oversea/voting for 2012 London Olympics & Next Concert EVENT Singers You d Like to Perform at the 2012 London Olympics Opening Ceremonies (non official) オリンピック開会式の歌手投票サイト http //www.the-top-tens.com/lists/singers-perform-london-olympics-opening-ceremonies.asp Result http //www.the-top-tens.com/stats.asp Virtual Diva Hatsune Miku Out-polls Lady Gaga in Olympic Singer Survey | Tech in Asia http //www.penn-olson.com/2012/01/18/hatsune-miku-poll/ Virtual idol Hatsune Miku topping 2012 Olympics poll 2012 CBS Interactive http //www.zdnet.com/blog/asia/virtual-idol-hatsune-miku-topping-2012-olympics-poll/765 http //toro.2ch.net/test/read.cgi/news2/1327242202/ Next Country You Would Like to Have a Hatsune Miku Live Party? (non official) http //www.the-top-tens.com/lists/next-country-you-would-like-have-a-hatsune-miku-live-party.asp 「スーパーボウル」の合間のハーフタイムショウに「初音ミク」 http //bleacherreport.com/articles/1030800-five-future-super-bowl-halftime-shows-that-should-be-considered#/articles/1030800-five-future-super-bowl-halftime-shows-that-should-be-considered/page/3 出た!「THE TOP TENS」の「ロンドン五輪OP歌手」投票に絡めた海外記事 http //vocaloid.blog120.fc2.com/blog-entry-10795.html 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 (3D models by SEGA) 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type): スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Refrection): 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?): 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector): 使用ソフト (Software): 3D model: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Computer and OS: カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): その他 (others): 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ セットリスト(演奏曲目)・その他 (Set List, name of music) セットリスト Summary in English and other language(英語等での紹介) Happy to meet you ! I m HATSUNE MIKU」 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報概要一覧MEMO 現地参加者の感想 (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/4過去のライブの反省会等の一部 EDIT Page If you do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
https://w.atwiki.jp/touhoukashi/pages/3694.html
【登録タグ 709sec. S SOUND HOLIC Scarlet Shooter ツェペシュの幼き末裔 亡き王女の為のセプテット 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; 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https://w.atwiki.jp/mrfrtech/pages/43.html
Market Scenario The worldwide Banking As A Service Market was anticipated to account for a CAGR of ~25.4% in the forecast period of 2021to 2027. When talking about Banking as a Service (BaaS), it is considered the end-to-end procedure that allows the third parties and financial technology companies to build banking services based on the financial services and infrastructure. Global banking as a service market growth is driving due to the rising usage of financial services like professional counseling, banking, mutual funds, wealth management, stock exchange, insurance, tax/audit consultation, treasury/debt instruments, portfolio management, and capital restructuring across the world. However, banking as a service market growth might experience restraints due to the high cost of adoption for banking as a service technology among various industries. The present market has involved some of the major key players such as PayPal, Green Dot Corporation, Square, SolarisbankAG and others across the world, which is helping the market for banking as a service to thrive in the forecast period. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10717 Competitive Outlook The global banking as a service market is characterized by the presence of several regional and local providers. Some of the key players in the global market are Twilio Inc. (US), Braintree (US), BOKU (US), Coinbase Global Inc., Dwolla (US), Zettle (Sweden), Fidor Bank (Germany), GoCardless (UK), Gemalto (Netherlands), Intuit (US), Square Inc. (US), PayPal (US), Prosper Inc. (US), Solaris Bank (Germany), and Moven (US). Segmentation As per the banking as a service market analysis, the market has been classified based on organization size, type, and application. Based on the organizational size segment, the market for banking as a service has been segmented into small and medium enterprises and large enterprises. Among all, the large enterprise segment is estimated to hold the largest market share during the review time frame. On the basis of type segment, the current market has been segregated into Cloud-based Bank-as-a-Service and API-based Bank-as-a-Service. In terms of the application segment, banking as a service has been divided into NBFC, government, and banks. Of these, the bank segment is projected to generate the highest CAGR and register the largest market share in the research period. The neo-banks is projected to generate the second largest market share as it serves their potential customers. Regional Analysis Regionally, the global banking as a service market has studied various regions like South America, Asia-Pacific, North America, the Middle East Africa, Europe, and the rest of the world. Among all, the European market is estimated to hold the highest CAGR in the review period because of the presence of FinTech companies, the increasing demand for financial services, and the rise in the utilization of advanced technologies in the region. Also, this region is registered to be the fastest-growing market in the analysis period. The European regional market for banking as a service covered some important countries like France, the UK, Italy, Germany and others. All these countries have higher use of digital payment systems, financial services, and online banking, enhancing regional market growth. As per the report of Management International Conference 2019, internet banking is used by approximately 51% of adult Europeans. Also, this percentage is growing continuously year by year. Industry News In May 2021, the prominent digital transformation solutions provider for lending and banking known as Q2 had declared its partnership with Moven. This partnership has aimed to provide digital transformation solutions for the lending and banking sectors. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/banking-as-a-service-market-10717 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** https //ict268262635.wordpress.com/2022/04/06/voice-assistant-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Learning Management System Market By Application (Corporate, Academics), by Deployment (Cloud, On-Premise), by Service (Administration, Performance Management, Content Management, Communication Collaboration) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/vocalive/pages/182.html
このページ名(Name of this Page)→【Event MEMO】 メニューMENU Event MEMO Info MEMO このページはテスト中です(This Page is Under Testing.) +←クリック目次 [←Click here for CONTENTS] 自動作成目次(contents) This is the Top Page for the Event MEMO CONTENTS 目次Event MEMO 2014年 2013年 2012年 2011年 2009 and 2010 This is the Top Page for the Event MEMO CONTENTS 目次 lsd() ls(Event MEMO) ls() Event MEMO ここは、ライブや行事の概要を書きとめておくメモ帳です。有用な内容は、時間のある時にまとめて、データベースに記入してください。 英語の情報は、なるべく簡単な翻訳を付けておいて下さい。 You can write MEMOs related to Vocaloid Events. If you are writing in English, please consider Japanese translation if possible. LIVEと行事一覧DB 2014年 2013年 2012年 GUMI誕生祭2012 in ニコファーレ ~Megpoid 3rd Anniversary~ 2012年6月26日(火) 開場18 00 開演19 00 http //live.nicovideo.jp/gate/lv94924972 http //www.nicovideo.jp/gumitan2012 NicoFarre http //nicofarre.jp/event.php?id=119 PV http //www.nicovideo.jp/watch/sm18038985 In the NHK TV of Japan, they published the [MIKUNOPOLIS in Los Angeles in 2011 ] to limited people for the BS TV. NHK TV is some kind of public TV. 音楽熱帯夜- 「MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです] Happy to meet you ! I m HATSUNE MIKU」 番組詳細182137 BSプレミアム 5月20日(日)~5月20日(日) 00 15~01 39(19日深夜) http //www.nhk.or.jp/bs/past/index.html?genre=9 There are button to press regarding evaluation of the [MIKUNOPOLIS in Los Angeles 2011]. If you are interested in [MIKUNOPOLIS in Los Angeles 2011], you may vote. [ヨカッタ] means good or very good [キニナル] means interesting VOCALOID CINEMA PARTY 2012 (番組ID lv84342623) 2012/03/10(土) 開場 11 57 開演 12 00 http //live.nicovideo.jp/watch/lv84342623 『VOCALOID-PVを大画面で見たい、見てもらいたい。』そんな思いでこんなイベントが出来ました。 ニコニコ動画を中心に、世代や国境さえも超えて広がり続けるVOCALOIDの世界。 VOCAWORLD-01 2012年5月27日 場所:耕莘文教基金會1F大禮堂 (台北市辛亥路一段22號)、Taiwan 台湾 ◆活動名稱 VOCAWORLD-01 ◆內容 VOCALOID原創音樂,相關二次創作同人誌販售會 ◆時間 2012年05月27日(週日) ◆地點 耕莘文教基金會1F大禮堂 (台北市辛亥路一段22號) http //www.tiencf.org.tw/page1.aspx?no=77888 ◆一般入場門票 150NT(含場刊與紀念CD) ◆募集攤位數 48攤(含海外社團募集) ◆社團入場:09 30~11 00 ◆一般入場:10 00~15 00 會後特別活動企劃中 VOCAWORLD-01 Vocaloid Only Event http //vocaworld.web.fc2.com/ 主辦 http //macia1192.blog.fc2.com/ 出た!5月27日に台湾でボカロオンリーの「VOCAWORLD-01」が開催 (日本語 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10808.html Original video posted on NicoNicoDouga on February 12, 2012 http //www.nicovideo.jp/watch/sm16945608 八王子Pのイベント http //www.youtube.com/watch?v=M3q0L1aGV-M Animation on Displayイベントでミクのミニコンサートが開催 2012 2月18日 サンフランシスコ AniMiku and Vocalekt Visions Concert at AOD 2012! http //www.vocaloidism.com/2012/02/10/animiku-and-vocalekt-visions-to-hold-concert-at-aod-2012/ AniMiku and Vocalekt Visions Concert at AOD 2012! http //www.animiku.net/cms/blog-2/animiku-and-vocalekt-visions-concert-at-aod-2012/ http //www.youtube.com/39diymmdconcert Experiencing the Media Mix Anime, Manga, Video Games. (メディアミックスの体験:アニメ、マンガ、ビデオゲーム) President’s Conference Series February 4 to 6, 2012 (学長講演会シリーズ) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/ 日時:2012年2月4日ー6日 Location 1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada H3G Concordia University http //www.concordia.ca 場所:コンコルディア大学、モントリーオール、ケベック州、カナダ Academics discuss Japanese pop culture (アカデミック研究者が日本のポップカルチャーについて語る) http //www.concordia.ca/now/what-we-do/research/20120118/academics-discuss-japanese-pop-culture.php Speakers (講演者) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/speakers/ Schedule and Lecture abstracts (スケジュール及び講演抄録) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/schedule/ Lecture abstracts Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein Marc Steinberg-Media Mix as Experience Ian Condry-Miku Virtual Idol as Media Platform (ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames Thomas Lamarre-Transnational Storytelling Matthew Penney-Media Mixed Histories Kyara versus Context Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu Margherita Long-Nausicaa Now More Than Ever Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) コンコルディア大学でイアン・コンドリー氏がミクの講演をするらしい件 (日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10754.html 講演タイトル (概要の翻訳) Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演(大塚 英志--ディズニーとアイゼンスタインの邪悪な同盟) Marc Steinberg-Media Mix as Experience (マーク・スタインバーグ--経験としてのメディアミックス) Ian Condry-Miku Virtual Idol as Media Platform (イアン・コンドリー:ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames (Mia Consalvo--予想外の旅行:日本のビデオゲームのROMハッカーとファンによる翻訳) Thomas Lamarre-Transnational Storytelling (トーマス・ラマール--国を越えたストリーテリング ) Matthew Penney-Media Mixed Histories Kyara versus Context (マシュー・ペニー--メディアミックスの歴史:キャラ 対 コンテクスト) Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu (上野俊哉--狼と犬の間:押井守と手塚治虫) Margherita Long-Nausicaa Now More Than Ever (マルガリータ・ロング--ナウシカ、NOW MORE THAN EVER (愛は限りなく)) Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) (トーマス・ルーサー--ゲームの自律(そして、銃の暗い価値)) 講演タイトル (概要の翻訳) Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演(大塚 英志(神戸芸術工科大学)--ディズニーとアイゼンスタインの邪悪な同盟) Marc Steinberg-Media Mix as Experience (マーク・スタインバーグ(Concordia大学)--経験としてのメディアミックス) Ian Condry-Miku Virtual Idol as Media Platform (イアン・コンドリー(MIT):ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames (Mia Consalvo(Concordia大学)--予想外の旅行:日本のビデオゲームのROMハッカーとファンによる翻訳) Thomas Lamarre-Transnational Storytelling (トーマス・ラマール(McGill大学)--国を越えたストリーテリング ) Matthew Penney-Media Mixed Histories Kyara versus Context (マシュー・ペニー(Concordia大学)--メディアミックスの歴史:キャラ 対 コンテクスト) Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu (上野俊哉(和光大学)--狼と犬の間:押井守と手塚治虫) Margherita Long-Nausicaa Now More Than Ever (マルガリータ・ロング(California大学) Nausicaa Now More Than Ever--ナウシカ、NOW MORE THAN EVER (愛は限りなく)) Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) (トーマス・ルーサー(New York大学)--ゲームの自律(そして、銃の暗い価値)) 関連行事:MIT/Harvard Cool Japan Initiative (米国、ボストン) MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html (日本語訳) 参考文献: ミク:日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳) Miku Japan s virtual idol and media platform. (original report) http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform MIT比較メディア研究科 Comparative Media Studies (CMS) http //cms.mit.edu/ 参考文献:初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ 日時:2012年2月4日、5日 イベント名: 成都(Chengdu)ComicParty 入場料: 25元 公式サイト http //scparty.com/ 企業参加:COSPA、ANIMATE、WACOM 他 成都ComicParty 同人交流会 四川科技馆 开展时间9 00-16 30 预售票淘宝网订票地址 http //item.taobao.com/item.htm?id=14129979565 イベントに参加すると・・・ こちらのハイセンスなステッカー限定5,000枚!がもらえます! ※2月のブログTOP絵に際採用された方にはもれなくこちらをプレゼント! http //blog.piapro.jp/2012/01/topsnow-miku-20122top.html 出た!5月27日に台湾でボカロオンリーの「VOCAWORLD-01」が開催 (日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10808.html 外語祭・初音( ゚д゚)ミク http //www.youtube.com/watch?v=PcvHF9lVnP0 Polski gracz w Japonii #5 - Juwenaliowe koncerty #1 http //gameplay.pl/news.asp?ID=63889 V_N feat.AVSS 主に毎月第四水曜日、渋谷のclub axxcisにて開催しています http //vnavss.blog47.fc2.com/blog-date-201111.html http //vnavss.blog47.fc2.com/blog-entry-63.html ust→ http //www.ustream.tv/channel/v-n1 https //twitter.com/#!/search?q=%23v_n 「みらいのねいろ」ドイツチームによる、ドイツ・アミッド上映会第二弾が ドイツ語圏最大のアニメファンポータル"Animexx"のニュースとして紹介されました。 http //desu.de/news_9874 #Animexx みらいのねいろ~未來音色~台灣座談會 活動日期:2012/5/26(六) 活動時間:13 00開放入場、13 30-16 00節目進行 http //www.accupass.com/go/sof2012#.T64P8fWvFVE.twitter 2011年 DANCEROID FES in 台北 VOL.01 ~X`mas Special Live Party!!~ with 八王子P 8#Prince DJ 2011-12-23 Taipei,Taiwan DANCEROID 12/23 X mas Party in 台北 試跳投稿招募中 ! Luka Luka Night Fever http //www.youtube.com/watch?v=j1TlZXr_4-U Dance Contest of DANCEROID 2011/12/23 X Mas Party in Taipei. If you are living in taipei. You can apply your dance video with title "DANCEROID台灣試跳舞者選拔賽" and upload through website http //tw.smilevideo.jp/ .then send video link and your infomation to email danceroid_con_tw@clsupport.jp before 2011/12/20. The dance video must be "Luka Luka Night Fever" sample http //www.youtube.com/watch?v=IpoR_xlslLI. The winner will join the party and dance with DANCEROID on the stage and more. DANCEROID Offical website http //www.danceroid.jp 台湾版、DANCEROID X mas Party in台北試跳投稿招募中! - NicoNico新聞 http //tw.blog.nicovideo.jp/2011/11/danceroid-xmas-party-in.html DANCEROID 2011/12/23 X mas Party in 台北試跳投稿招募中! 【DANCEROID台灣試跳舞者選拔賽】活動需知 指定曲目:ルカルカ★ナイトフィーバー http //tw.nicovideo.jp/watch/sm7517202 http //www.youtube.com/watch?v=IpoR_xlslLI 截止日期:即日起至12/20(二)台灣時間23 59止 投稿頁面:http //tw.smilevideo.jp/ (請先登入NicoNico動畫,或新會員註冊https //secure.nicovideo.jp/secure/register) 如有任何不清楚的地方歡迎聯絡台灣營運https //secure.nicovideo.jp/secure/support_form?lang=tw。 指定標籤:投稿時請務必鎖上「DANCEROID台灣試跳舞者選拔賽」標籤 投稿條件: 1.不限男女老少。 2.舞蹈曲長及舞歩不限,不過如果跳愛川こずえ版本的話本人會很開心的! 3.可複數投稿。 4.舊投稿動畫(須跳ルカルカ★ナイトフィーバー)加上指定標籤即可參加甄選。 審査標準:包含播放數、評論數、加入我的清單數在内,由DANCEROID 成員精心挑選1名至數名優秀台灣試跳舞者。 優秀獎賞: 12/23與DANCEROID同台表演資格。 12/23參加DANCEROID的Live表演後慶功宴。 獲得「DANCEROID公認台灣舞者」稱號及LOGO。 DANCEROID之簽名精美週邊商品。 投稿確認:請?在投稿後1小時之内將以下資料寄至CLS信箱,以確認本人投稿。 屆時?獲選也會以?寄送的資料通知?! CLS聯絡信箱:danceroid_con_tw@clsupport.jp 主旨:「DANCEROID台灣試跳舞者選拔賽」 投稿通知 姓名: ?稱: 電話(手機): E-mail: 如有其他投稿動畫或我的清單可一併提供: 指定曲 「ルカルカ★ナイトフィーバー」 応募締め切り 12/20 台湾時間23 59 投稿はから タグロック DANCEROID台灣試跳舞者選拔賽 でタグロックしてください。 投稿條件: 1.老若男女OK 2.投稿動画の長さや踊り方は自由。 3.複数投稿も可 4.以前にUPした動画でもOK(「ルカルカ★ナイトフィーバー」限る)タグロック を追加してください 審査基準:再生数、コメント数、マイリスト数を参考にしつつ、DANCEROIDとStaffが1名から数名の踊り手を選びます。 発表日時:12/23 LIVE 会場にて 選ばれた方には 12/23DANCEROIDと一緒にステージに上がれます。 12/23DANCEROID Live 後の打ち上げに参加できます。 名前(ハンドルネーム)入特製 DANCEROID 公認 LOGO DANCEROID のサイン入りGOODSプレゼント 投稿の確認:動画投稿後1時間以内に下記の資料を下記アドレスにお送りくださ い。特製 DANCEROID 公認 LOGO は登録いただいた情報を基に作成いたします。 【DANCEROID+八王子P】Baby Maniacs(初音ミク)in台北 修正版 http //www.youtube.com/watch?v=UeT5UzTgmzw 12月23日に行われたDANCEROIDの台湾初公演 DANCEROID Fes in 台北 VOL.01 ~X`mas Special Live Party!!~ Credits and information Original movies Thanks DANCEROID Fes feat.八王子P in 台北生放送 http //live.nicovideo.jp/watch/lv74183294 初音ミク - Baby Maniacs 【オリジナル曲+PV】 http //www.nicovideo.jp/watch/sm16481237 Art Direction & Editor わかむらP Music 8#Prince(八王子P) 【ニコカラ】Baby Maniacs【on vocal】 http //www.nicovideo.jp/watch/sm16486308 八王子P http //www.nicovideo.jp/mylist/16586786 愛川こずえブログ http //ameblo.jp/aikawa-kozue/ 愛川こずえさんのmylist http //www.nicovideo.jp/mylist/8105413 愛川こずえさんのYouTubeチャンネル http //jp.youtube.com/user/xxxayu3 柚姫(ユズキ)ブログ http //ameblo.jp/yuzukingdam/ まぁむ ブログ http //ameblo.jp/maaamblog/ いとくとらブログ http //ameblo.jp/ikura-uniuni/ DANCEROID公式サイト http //danceroid.jp/ 【DANCEROID Fes in 台北】8#Prince http //www.youtube.com/watch?v=Uo0f5d2nxxE 2011/12/23 八王子P a.k.a 8#Prince DJ set for DANCEROID FES in 台北 VOL.01 ~X`mas Special Live Party!!~ Website http //plug8.info/ Twitter http //twitter.com/8_Prince Facebook http //www.facebook.com/hachiojip NND http //www.nicovideo.jp/mylist/16586786 Tracklist 1) Mad Lovers feat. Megurine Luka 2) CRAZY GiRL feat. Hatsune Miku 3) KiLLER LADY feat.GUMI 4) Keep Only One Love feat. Hatsune Miku 5) whiteout feat. Hatsune Miku (Hatsune Miku Append) 6) electric love feat. Hatsune Miku 7) Distorted Princess feat. Hatsune Miku Megurine Luka 8) Sweet Devil feat. Hatsune Miku 【DANCEROID Fes in 台北】八王子P「electric love」 http //www.youtube.com/watch?v=RY6wR0X9tBc 2011/12/23 DANCEROID Fes in 台北 VOL.01 ~X`mas Special Live Party!!~ (SD Version Part 22/32) 人気急上昇中の踊り手ユニットDANCEROIDによる 海外初ライブとなる台北ライブが急遽生放送決定!! DANCEROID公認台湾踊り手候補もステージで一緒に踊るかも?! スペシャルゲストが決まりました!! 日本からはボカロPの【八王子P a.k.a 8#Prince】、 台湾からはメイドグループ【CANDY☆STAR】!! 八王子P a.k.a 8#Prince My List Main http //www.nicovideo.jp/mylist/16586786 Collaboration http //www.nicovideo.jp/mylist/19370736 CD participants http //www.nicovideo.jp/mylist/20371116 Official Site http //www.hachiojip.jp/ Twitter http //twitter.com/8_Prince Facebook http //www.facebook.com/hachiojip Circle HP http //plug8.info/ 「Sweet Devil」(八王子P)が台湾チャート第4位になっているらしい件 http //vocaloid.blog120.fc2.com/blog-entry-10356.html http //miku.sugar-spot.com/?p=2927 初音ミク・巡音ルカ - Distorted Princess PV http //www.youtube.com/watch?v=z5J5qdxrFso 【CDSM 2012】8#Prince feat. DANCEROID http //www.youtube.com/watch?v=3nFIvEQJroA 2011/12/31 八王子P a.k.a 8#Prince DJ set for CDSM at CLUB CITTA Count Down Shite Mita (カウントダウンしてみた) countdown special 2011~2012 Website http //www.countdownshitemita.com/ Twitter http //twitter.com/CDSMofficial 八王子P a.k.a 8#Prince Website http //plug8.info/ Twitter http //twitter.com/8_Prince Facebook http //www.facebook.com/hachiojip NND http //www.nicovideo.jp/mylist/16586786 DANCEROID Website http //danceroid.jp/ Twitter http //twitter.com/DANCEROID_JP Youtube http //www.youtube.com/user/DANCEROIDjp NND http //www.nicovideo.jp/user/9037659 MC motsu from m.o.v.e saolilith 初音ミク ライブパーティー2011 ミクパ♪ 11月11日、2011 Miku Live Party (Miku-Pa) in Singapore 2011 (シンガポール) I Love Anisong at Anime Festival Asia 2011 (AFA 2011)11月11日ー13日 AFA2011公式HP及び場所:Suntec Convention Exhibition Centre Halls 402 to 404. http //www.animefestival.asia/hatsune_miku.html http //www.animefestival.asia/about_afa.html コンサートチケットはSISTICにて10月1日から販売 良い席を確保したい人は「1日VIP券S$148」か「3日通しVIP券S$368」を購入 http //www.animefestival.asia/ticketing.html#anisong 座席表:下記、会場:Suntec Convention Hall 402の場合、開演:7 00 PM- (開場 6pm) http //www.sistic.com.sg/stix/images/internetcontent/ila1111/esun111111_overview.jpg 会場説明と住所:1 Raffles Boulevard, Suntec City Singapore 039593:Tel 6337 2888 http //www.suntecsingapore.com バーチャルツアー Exhibition Halls 4F 詳細はカーソル操作 http //www.suntecsingapore.com/virtualtour/vr_exhibition.htm http //www.suntecsingapore.com/media/corpvideo.htm http //nagamochi.info/src/up86999.jpg 公式 Facebook及びTweitter http //www.facebook.com/animefestivalasia https //twitter.com/#!/animefestival11 Presented by AFA11 and Cool Japan Project, Toyota Tsusho Singapore (c) Crypton Future Media, Inc. Graphics by SEGA/MARZA ANIMATION PLANET INC. Organized by 5pb. Supported by Cool Japan Music. (AFA Organizer Dentsu Singapore, SOZO) 日本語説明 http //animeanime.jp/news/archives/2011/09/afamayn.html http //blog.livedoor.jp/asagawoblog/archives/1642340.html http //www.animefestival.asia/afax/index.html 空路情報 http //www.flighttime.jp/asia/singapore.html ミクパ♪ シンガポール公式応援弾丸ツアー詳細 締め切り10月20日 https //www.jtbbwt.com/contents/docs/miku.pdf http //www.jtbbwt.com/contents/tour.html 添乗員同行 専用車有 合計料金:127920円 旅行代理店:JTB 最小催行人数:30名 出国日:11月10日(木)21 00 東京(羽 田)集合 帰国日:11月13日(日)05 30~06 30頃 東 京(羽 田) 着予定 ただし、ミクノポリスのツアーの様な失航などの突発事故等に注意 日時:2011年10月17日(月)5 00 PM - 7 00 PM 場所:4-136(MIT)米国ボストン [キャラクターを越える初音ミク:MikuMikuDanceの最前線] 三原龍太郎(経済産業省) まさたかP(ボカロプロデューサ) イアン・コンドリー(MIT、司会) http //whereis.mit.edu/?go=4 (場所) ミクポリ短縮版の上映会、アミッド・スクリーン披露、他 9 30-10 30pm a Party at Enormous Room http //www.beatresearch.com/ 日時:2011年10月18日(火)3 00 PM - 5 00 PM 「メディアプラットフォームとしての仮想アイドル初音ミク:創造性メディアの変化」 伊藤博之(クリプトン) 福岡俊弘(ASCII) 三原龍太郎(経済産業省) イアン・コンドリー(MIT比較メディア学准教授) 日時:2011年10月19日(水)9 30 AM - 11 00 AM [クリプトン社とのコラボレーションのためのブレーンストーミング] 主催:MIT/Harvard Cool Japan Initiative (米国、ボストン) MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html (日本語訳) http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳) 週刊アスキー福岡総編集長が語る 初音ミクは日本の伝統芸能だった http //ascii.jp/elem/000/000/634/634796/ 米国、New York:NY Comic Con 2011年10月13日-16日 ミクノポリス映像の上映会及び講演会 NY Comic Con 公式日程 http //nycc11.mapyourshow.com/5_0/sessions/sessiondetails.cfm?ScheduledSessionID=1AACC9 http //nycc11.mapyourshow.com/5_0/sessions/sessiondetails.cfm?ScheduledSessionID=18A9 http //vocaloid.blog120.fc2.com/blog-entry-9665.html (日本語訳) 「みらいのねいろ―TOKYO~第1回ボーカロイド文化祭」 11月13日(日曜)、概要:アミッドスクリーン(網戸の網)披露、VOCALOID JAZZ LIVE他 http //tweetvite.com/event/pnjr (予定一覧) http //vocaloid.blog120.fc2.com/blog-entry-9582.html 誤訳御免Δ MIKUNOPOLIS 詳細紹介記事 (2人目の赤シャツ氏の紹介他) http //goyaku.blog45.fc2.com/blog-entry-401.html 初音ミク米国初コンサートの海外反応 http //japancool.sblo.jp/article/46529083.html 2009 and 2010 2009年8月31日 「ミクフェス 09’(夏)」 主催:インクストゥエンター http //blog.piapro.jp/2009/09/fes09.html http //ascii.jp/elem/000/000/456/456009/ 初音ミク・ソロコンサート~ WEB LIVE http //namidame.2ch.net/test/read.cgi/liveuranus/1268128458/ 【初音ミク】ミクフェス09 (夏)実況スレ【ミクFES】 http //namidame.2ch.net/test/read.cgi/liveuranus/1251705271/ 【初音】ミクフェス09 (夏)実況スレ2【ミクFES】 http //namidame.2ch.net/test/read.cgi/liveuranus/1251717604/ 【初音】ミクフェス09 (夏)実況スレ3【ミクFES】 http //namidame.2ch.net/test/read.cgi/liveuranus/1251721940/ 【初音ミク】本気でミクFESに参加してみた【Project DIVA】 http //www.nicovideo.jp/watch/1255673703 「ミクFES(ミクフェス) 09(夏)」レポート! http //blog.piapro.jp/2009/09/fes09.html 「ミクFES 09(夏)」がかなり盛り上がったらしい件について http //vocaloid.blog120.fc2.com/blog-entry-4169.html Live Viewing Japan Presents A Special Hatsune Mikuevent For One-Night-Only In 9 Major U.S. Cities In November http //www.mi2n.com/press.php3?press_nb=147762
https://w.atwiki.jp/marketresearch/pages/11.html
Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the LTCC and HTCC Market. The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for LTCC and HTCC Market. Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the LTCC and HTCC Market. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88270?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for LTCC and HTCC Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of LTCC and HTCC Market Market The market segmentation of the LTCC and HTCC Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the LTCC and HTCC Market. Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the LTCC and HTCC Market based on the geographical location. This section throws light on the demand and sales output for the LTCC and HTCC Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88270?pu Market Key Highlights The market report on the LTCC and HTCC Market is a summary of the current market situation for the LTCC and HTCC Market. Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast KYOCERA Corporation, DowDuPont Inc, Murata Manufacturing Co., Ltd, KOA Corporation, Hitachi Metals, Ltd, Yokowo Co., Ltd, NGK SPARK PLUG CO., LTD, MARUWA Co., Ltd, Micro Systems Technologies, TDK Corporation, NIKKO COMPANY Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The LTCC and HTCC Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the LTCC and HTCC Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
https://w.atwiki.jp/marketresearch/pages/16.html
Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Roof Deck Protection Market. The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Roof Deck Protection Market. Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the Roof Deck Protection Market. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88265?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for Roof Deck Protection Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of Roof Deck Protection Market Market The market segmentation of the Roof Deck Protection Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the Roof Deck Protection Market. Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the Roof Deck Protection Market based on the geographical location. This section throws light on the demand and sales output for the Roof Deck Protection Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88265?pu Market Key Highlights The market report on the Roof Deck Protection Market is a summary of the current market situation for the Roof Deck Protection Market. Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast Roofing Nation, Zilla Roofing, Dior Construction, Core Exteriors, Seven Trust Industry, Greg WC Sheets&Associates, Fidus, RemodelRx, Hobson&Scott, Coastal Home Roofing, Platte River Roofing Company,. Company overview. Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The Roof Deck Protection Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the Roof Deck Protection Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
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Content Delivery Network Industry Insight The fast uptake and development of a content delivery network are progressively becoming a crucial component of any enterprise. Market Research Future predicts the potentiality of the global Content Delivery Network Industry 2020. It can achieve a high valuation by the year 2023. Such a high valuation will garner at a growth rate of 26.5% in the forecast years (2018 to 2024). The market expansion can be accredited to the escalating volumes of content being exchanged over the internet in line with the continued rapid network rollouts. Effective so lutions would be needed to ensure uninterrupted content delivery over a high-speed data network, mainly to cater to the growing demand for Video-on-Demand (VOD) and Over the Top (OTT) services. In fact, plummeting data costs coupled with rising affordability and accessibility of broadband and mobile network access are some of the other foremost factors anticipated to motivate the demand for content delivery network solutions. Request a Free Sample @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 Top Market Contenders The top market players of global CDN market are listed as Limelight Networks Inc. (US), Akamai Technologies Inc. (US), Tata Communications Ltd (India), CenturyLink (US), StackPath, LLC (US), Fastly Inc (US), Verizon Communications Inc. (US), CDNetworks Co. Ltd (South Korea), AT T Inc. (US), Amazon.com Inc. (US) and Comcast Corporation (US). Market Analysis MRFR also spotlights on the fact that the e-commerce industry is sprouting continuously in line with shifting consumer behavior. As such, CDN solutions are employed to ensure that consumers have access to all the content necessary to make an informed buying decision. CDN solutions are also employed aggressively to optimize delivery as consumers shift from conventional television to video content delivery. At the same time, the performance of digital solutions based on an IoT network across various industries is also prompting content delivery network providers to introduce customized industry-specific content delivery network solutions. The mounting adoption of advanced technologies, such as artificial intelligence (AI) and augmented reality (AR), are also opening opportunities to launch innovative content delivery network solutions in the future. All these factors are ready to contribute to the global content delivery network market in the forecast period. Furthermore, in countries, such as India and China, the fame of online gaming and the preference for digital marketing is escalating. The advances in technology, coupled with the rollout of smart cities and 4G network rollouts, are also encouraging opportunities to come into the market. On this line, large access providers and platform companies are pursuing integration initiatives to withstand the intense competition globally. As such, companies offering technology solutions are moving into content market space. The mounting population, coupled with the advent of new network technologies, is also motivating content consumption and content delivery network. The digitization of the media entertainment industry is particularly driving market growth to a great extent. Segmentation of Market Content Delivery Solutions The global content delivery solutions market has further been studied among segmentation, including segments of type, solutions, application, service providers, and vertical. By the segment of type, the market has included a standard content delivery network, video content delivery network. By the segment of solutions, the market has included media delivery, web performance optimization, and cloud security. By the segment of the application, the market has included network optimization, OTT streaming, analytics performance monitoring, and website API management. By the segment of service providers, the market has included traditional content delivery networks, Telco content delivery networks,, and cloud services providers. By the segment of vertical, the market has included retail e-commerce, media entertainment, BFSI, gaming, IT telecommunication, education, and others. Regional Outlook North America, Europe, Asia-Pacific, and the rest of the world are the key regions mentioned in the global content delivery solutions market’s regional analysis. Among these regions, the North American region is anticipated to lead the content delivery network market during the study period. The early adoption of IoT technology and smart devices such as Smartphones and smart TV in North America are some of the factors motivating the growth of the regional market. Furthermore, the incidence of technology leaders such as Verizon Digital Media, Amazon Web Services, Akamai Technologies Inc., and CenturyLink is likely to contribute to the growth of the content delivery network market in the region. The US, after Canada, leads the market in North America. The market in Asia-Pacific is also anticipated to occupy a significant share where China is likely to lead the market. Europe trails North America in the global content delivery network market. The Asia Pacific is forecasted to outpace all other regions by growth owing to enhancements in technology in emerging countries of the region. Table of Content 1 Executive Summary 1.1 Market Attractiveness Analysis 17 1.1.1 Global Content Delivery Network Market, By Type 17 1.1.2 Global Content Delivery Network Market, By Solutions 18 1.1.3 Global Content Delivery Network Market, By Application 19 1.1.4 Global Content Delivery Network Market, By Service Providers 20 1.1.5 Global Content Delivery Network Market, By Vertical 21 1.2 Global Content Delivery Network Market, By Region 22 Continued…. List of Tables Table 1 List of Assumptions 29 Table 2 Regional Data Transfer Out to Internet (Per Gb) 39 Table 3 Request Pricing for All Http Methods (Per 10,000) 40 Table 4 Global Content Delivery Network Market, By Type, 2020–2027 (Usd Million) 45 Table 5 Global Content Delivery Network Market, By Video Content Delivery Network, 2020–2027 (Usd Million) 47 Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/content-delivery-network-market-2796 List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Attractiveness Analysis Global Content Delivery Network Market 17 Figure 3 Global Content Delivery Network Market Analysis By Type, 2020 (%) 17 Figure 4 Global Content Delivery Network Market Analysis By Solutions, 2020 (%) 18 Figure 5 Global Content Delivery Network Market Analysis By Application, 2020 (%) 19 Continued…. 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MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future Office No. 528, Amanora Chambers Magarpatta Road, Hadapsar, Pune – 411028 Maharashtra, India 1 646 845 9312 Email sales@marketresearchfuture.com Video By View https //lumen5.com/user/ubellapranali/untitled-video-iqt72/